MetaCage :
| Item type | Current location | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
Books
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Biblioteka e Universitetit te Arteve - Fondi i Mbyllur | 780 (Browse shelf) | Available | 61586 |
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Revised papers from a Cage study day, held Jan. 8, 2009 by Fellows of the Orpheus Research Centre in Music.
Includes bibliographical references (p. 95-96).
Compact disc: Aria/Fontana mix (1958) / Cora Schmeiser, soprano ; Juan Parra Cancino, computer (10:10) -- Freeman etude #VI (1977-1980) (4:33) ; Freeman etude #IX (1977-1980) (4:33) / Mieko Kanno, violin.
Preface / William Brooks -- Historical contextualism in live electronic music : reconstructing Aria/Fontana mix by John Cage / Juan Parra Cancino -- John Cage as meta-composer / Magnus Andersson -- Cage's Freeman etudes : sounding out / Mieko Kanno -- Sounds, gamuts, actions : Cage's pluralist universe / William Brooks.
CD recorded in performance on Jan. 8, 2009.
"metaCage" investigates the musical practice of John Cage in four essays written by current ORCiM Fellows. Three works (Fontana Mix, Aria and Freeman Etudes) serve as threads that link the contributions, and a CD containing performances of these works, by the ORCiM Fellows, is included with the volume. The essays embrace both compositional practice, as viewed by musicologically-oriented performers Juan Parra Cancino and Mieko Kanno, and Cage's aesthetic framework, explored by practice-based musicologists Magnus Andersson and William Brooks.
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