| 000 -LEADER |
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| fixed length control field |
02337nam a22002657a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20220912104305.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
220629b ||||| |||| 00| 0 eng d |
| 024 ## - OTHER STANDARD IDENTIFIER |
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| Source of number or code |
ISMN 9790201808307 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
BSHUA |
| Language of cataloging |
shqip |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
786.2 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Item number |
786.2/Alb |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Isaac Abeniz |
| 245 ## - TITLE STATEMENT |
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| Title |
Mallorca: |
| Remainder of title |
Opus 202/ |
| Statement of responsibility, etc |
Herausgegeben von/Edited by Johanes Behr ; Fingersatz von/Fingering by Rolf Koenen |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Urtext |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
Munchen: |
| Name of publisher, distributor, etc |
G. Henle Verlag, |
| Date of publication, distribution, etc |
2008 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
12f.: |
| Other physical details |
me nota; |
| Dimensions |
31cm. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
As with his famous “Asturias”, Albéniz’ transcription of “Mallorca” for guitar became a great deal more popular than the original version for piano. He probably composed this tender, dreamy “barcarolle” during his second trip to Mallorca in May 1890. In so doing, he remained faithful to his penchant for portraying regions of his native land in music. Enrique Granados, who admired Albéniz as a friend and patron, is said to have sat down at the piano when the composer was on his deathbed and greatly moved him with a rendering of “Mallorca”. Today’s pianists can play this sophisticated work in an edition with superb engraving which also displays Henle’s customary faithfulness to themusical text.?----<br/><br/>Ashtu si me "Asturias" e tij të famshme, transkriptimi i "Mallorca" për kitarë nga Albéniz u bë shumë më popullor se versioni origjinal për piano. Ai ndoshta e kompozoi këtë "barcarolle" të butë dhe ëndërrimtare gjatë udhëtimit të tij të dytë në Majorka në maj 1890. Duke vepruar kështu, ai mbeti besnik ndaj prirjes së tij për portretizimin e rajoneve të vendit të tij të lindjes në muzikë. Enrique Granados, i cili e admironte Albéniz-in si mik dhe mbrojtës, thuhet se ishte ulur në piano kur kompozitori ishte në shtratin e vdekjes dhe e emocionoi shumë me interpretimin e "Mallorca". Pianistët e sotëm mund ta luajnë këtë vepër të sofistikuar në një botim me gdhendje të shkëlqyer, i cili gjithashtu shfaq besnikërinë e zakonshme të Henles ndaj tekstit muzikor.?<br/> |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| General subdivision |
Muzika boterore |
| 610 ## - SUBJECT ADDED ENTRY--CORPORATE NAME |
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| Form subdivision |
Partiture |
| 653 ## - INDEX TERM--UNCONTROLLED |
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| Uncontrolled term |
Muzika spanjollle-Muzika instrumentale-Partitura-Piano-Klavir-Pjese per piano-Kompozitore spanjolle |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Link text |
Fulltext |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
Music Scores |
| 953 ## - Fulltext |
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| Is Fulltext Available |
Unavailable |