Mallorca: (Record no. 25445)

000 -LEADER
fixed length control field 02337nam a22002657a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220912104305.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220629b ||||| |||| 00| 0 eng d
024 ## - OTHER STANDARD IDENTIFIER
Source of number or code ISMN 9790201808307
040 ## - CATALOGING SOURCE
Original cataloging agency BSHUA
Language of cataloging shqip
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number 786.2
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Item number 786.2/Alb
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Isaac Abeniz
245 ## - TITLE STATEMENT
Title Mallorca:
Remainder of title Opus 202/
Statement of responsibility, etc Herausgegeben von/Edited by Johanes Behr ; Fingersatz von/Fingering by Rolf Koenen
250 ## - EDITION STATEMENT
Edition statement Urtext
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Munchen:
Name of publisher, distributor, etc G. Henle Verlag,
Date of publication, distribution, etc 2008
300 ## - PHYSICAL DESCRIPTION
Extent 12f.:
Other physical details me nota;
Dimensions 31cm.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note As with his famous “Asturias”, Albéniz’ transcription of “Mallorca” for guitar became a great deal more popular than the original version for piano. He probably composed this tender, dreamy “barcarolle” during his second trip to Mallorca in May 1890. In so doing, he remained faithful to his penchant for portraying regions of his native land in music. Enrique Granados, who admired Albéniz as a friend and patron, is said to have sat down at the piano when the composer was on his deathbed and greatly moved him with a rendering of “Mallorca”. Today’s pianists can play this sophisticated work in an edition with superb engraving which also displays Henle’s customary faithfulness to themusical text.?----<br/><br/>Ashtu si me "Asturias" e tij të famshme, transkriptimi i "Mallorca" për kitarë nga Albéniz u bë shumë më popullor se versioni origjinal për piano. Ai ndoshta e kompozoi këtë "barcarolle" të butë dhe ëndërrimtare gjatë udhëtimit të tij të dytë në Majorka në maj 1890. Duke vepruar kështu, ai mbeti besnik ndaj prirjes së tij për portretizimin e rajoneve të vendit të tij të lindjes në muzikë. Enrique Granados, i cili e admironte Albéniz-in si mik dhe mbrojtës, thuhet se ishte ulur në piano kur kompozitori ishte në shtratin e vdekjes dhe e emocionoi shumë me interpretimin e "Mallorca". Pianistët e sotëm mund ta luajnë këtë vepër të sofistikuar në një botim me gdhendje të shkëlqyer, i cili gjithashtu shfaq besnikërinë e zakonshme të Henles ndaj tekstit muzikor.?<br/>
600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME
General subdivision Muzika boterore
610 ## - SUBJECT ADDED ENTRY--CORPORATE NAME
Form subdivision Partiture
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Muzika spanjollle-Muzika instrumentale-Partitura-Piano-Klavir-Pjese per piano-Kompozitore spanjolle
856 ## - ELECTRONIC LOCATION AND ACCESS
Link text Fulltext
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Music Scores
953 ## - Fulltext
Is Fulltext Available Unavailable
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Date acquired Cost, normal purchase price Full call number Barcode Date last seen Price effective from Koha item type
          Biblioteka e Universitetit te Arteve - Fondi i Mbyllur Biblioteka e Universitetit te Arteve - Fondi i Mbyllur 2022-06-29 1140.00 786.2/Alb 65783 2022-06-29 2022-06-29 Music Scores
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Universiteti i Arteve, Tiranë
Projekt i realizuar më Tetor, 2011.
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