Zwolf Polonaisen/ (Record no. 25416)

000 -LEADER
fixed length control field 02512nam a22002777a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220623151802.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220623b ||||| |||| 00| 0 eng d
024 ## - OTHER STANDARD IDENTIFIER
Source of number or code ISM N 9790201804859
040 ## - CATALOGING SOURCE
Original cataloging agency BSHUA
Language of cataloging shqip
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number 786.2
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Item number 786.2/Bach
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Wilhelm Friedemann Bach
245 ## - TITLE STATEMENT
Title Zwolf Polonaisen/
Statement of responsibility, etc Herausgegeben von/Edited by Andreas Bohnert ; Fingersatz von/Fingering by Klaus Schilde
246 ## - VARYING FORM OF TITLE
Title proper/short title Twelve Polonaises
250 ## - EDITION STATEMENT
Edition statement Urtext
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Munchen:
Name of publisher, distributor, etc G.Henle Verlag,
Date of publication, distribution, etc 1993
300 ## - PHYSICAL DESCRIPTION
Extent 35f.:
Other physical details me nota;
Dimensions 31cm.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note The polonaise was a fashionable dance form not only in Chopin and Liszt’s time, for Johann Sebastian Bach’s son Wilhelm Friedemann had already brought this Polish national dance to a high-point. His twelve Polonaises were so popular in his time that they survive in numerous manuscripts, meaning that today’s pianists can enjoy these most successful of W. F. Bach’s piano compositions.<br/><br/>Colourful and effective, they ascend stepwise through the keys, with a polonaise in the major and one in the minor juxtaposed in each case. The pieces are sensitive and expressive, and Bach is clearly setting off along the path to the character piece with these Polonaises. He probably played themon the clavichord, the delicate and favoured instrument of this time of sensibility. <br/><br/>Poloneza ishte një formë kërcimi në modë jo vetëm në kohën e Chopin dhe Liszt, sepse djali i Johann Sebastian Bach, Wilhelm Friedemann, e kishte çuar tashmë këtë valle kombëtare polake në një pikë të lartë. Dymbëdhjetë Polonezat e tij ishin aq të njohura në kohën e tij, saqë mbijetuan në dorëshkrime të shumta, që do të thotë se pianistët e sotëm mund të shijojnë këto kompozime më të suksesshme për piano të W. F. Bach.<br/><br/>Shumëngjyrëshe dhe efektive, ato ngjiten hap pas hapi përmes çelësave, me një polonezë në të madhe dhe një në minor të krahasuar në secilin rast. Pjesët janë të ndjeshme dhe ekspresive, dhe Bach qartë po nis rrugën drejt pjesës së personazhit me këto Poloneze. Ai ndoshta i ka luajtur themon klavikord, instrumenti delikat dhe i preferuar i kësaj kohe per ndjeshmërine.<br/>
610 ## - SUBJECT ADDED ENTRY--CORPORATE NAME
General subdivision Muzika boterore
648 ## - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM
Form subdivision Partiture
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Muzika boterore-Muzika gjermane-Muzika insrtumentale-Partitura-Piano-Klavir-Muzike per piano-Poloneze-12 poloneze pershtatur per piano
856 ## - ELECTRONIC LOCATION AND ACCESS
Link text Fulltext
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Music Parts
953 ## - Fulltext
Is Fulltext Available Unavailable
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Date acquired Cost, normal purchase price Full call number Barcode Date last seen Price effective from Koha item type
          Biblioteka e Universitetit te Arteve - Fondi i Mbyllur Biblioteka e Universitetit te Arteve - Fondi i Mbyllur 2022-06-23 1860.00 786.2/Bach 65742 2022-06-23 2022-06-23 Music Scores
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Universiteti i Arteve, Tiranë
Projekt i realizuar më Tetor, 2011.
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